Anagarika Munindra keeps popping into my head when practice feels too human, too messy, too full of doubts I don’t know how to shut up. Curiously, I never had the chance to meet Munindra in person, which is strange when I think about it. I have no personal memory of sitting with him, listening to his speech, or seeing his famous pauses in person. Even so, he manifests as a quiet influence that surfaces whenever I feel exasperated with my internal dialogue. Usually late. Usually when I’m tired. Often right after I've convinced myself that the practice is useless for now, or maybe for good.
It’s around 2 a.m. right now. The fan’s making that uneven clicking sound again. I ought to have repaired that fan long ago. My knee is throbbing slightly; it's a minor pain, but persistent enough to be noticed. I am in a seated posture, though it's more of a discouraged slouch than a meditative one. My thoughts are loud and unremarkable—just the standard mix of memories, future plans, and trivialities. Then I recall a detail about Munindra: he wasn't one to rush people or market enlightenment as some polished, epic adventure. By all accounts, he laughed frequently—genuine, real laughter. That specific detail resonates with me far more than any meditative method.
Beyond the Technical: The Warmth of Munindra's Path
Vipassanā is frequently marketed as a highly precise instrument. Observe this. Note that. Be exact. Be relentless. I acknowledge that rigor is part of the tradition, and I hold that in high regard. However, on some days, that rigid atmosphere makes me feel as if I am failing an unrequested examination. Like I’m supposed to be calmer, clearer, more something by now. In my thoughts, Munindra represents a very different energy. He seems more gentle and compassionate—not through laziness, but through a deep sense of humanity.
It's amazing how many lives he touched while remaining entirely unassuming. He guided Dipa Ma and indirectly influenced Goenka, among countless others. And yet he stayed… normal? That word feels wrong but also right. He didn't make the practice about showmanship or force a mystical persona. No obsession with being special. Just attention. Kind attention. Even to the ugly stuff. Especially the ugly stuff.
The Ridiculous Drama of the Mind
During my walking practice earlier, I found myself genuinely irritated by a bird. Its constant noise was frustrating. I recognized the anger, and then felt angry at myself for having that reaction. It’s a classic cycle. For a moment, I tried to force a check here sense of "proper" mindfulness upon myself. And then I remembered Munindra again. Or rather, the idea of him smiling at how ridiculous this whole inner drama is. Not mocking. Just… seeing it.
My back was sweaty. The floor felt colder than I expected. Breath came and went like it didn’t care about my spiritual ambitions. That’s what I constantly forget: the Dhamma doesn't need my "story" to function; it just proceeds. Munindra appeared to have a profound grasp of this, yet he kept it warm and human rather than mechanical. A human consciousness, a human form, and a human mess. All of it is workable. All of it is worthy.
I certainly don't feel any sense of awakening as I write this. I just feel exhausted, a little soothed, and somewhat confused. My mind hasn't stopped jumping. I suspect the doubt will return when I wake up. I'll likely look for more tangible progress or some confirmation that this isn't a waste of effort. But for now, it is sufficient to recall that a man like Munindra lived, practiced this way, and maintained his human warmth.
The fan continues to click, my knee still aches, and my mind remains noisy. And somehow, that’s okay right now. Not fixed. Not solved. Just okay enough to keep going, just one ordinary breath at a time, without any pretension.